American chord notation

Grados writes every note and chord in American notation: each note is a letter from A to G, and each chord is its letter plus a symbol. This page explains how to read it.

Notes are letters

The seven natural notes are A, B, C, D, E, F and G. The major scale with no accidentals starts on C and runs C D E F G A B. A sharp (♯) raises a note by a semitone and a flat (♭) lowers it by a semitone: F♯ is F raised, B♭ is B lowered. B is always the natural note and B♭ the flattened one.

Chord symbols

A chord is named by its root letter plus a symbol for its quality. In Mulholland and Hojnacki’s book the minor chord is written with a dash (D-7) and here with an m (Dm7); it is the same chord.

SymbolNameNotes on C
CMaj7Major seventhC E G B
Cm7Minor seventhC E♭ G B♭
C7Dominant seventhC E G B♭
CøHalf-diminishedC E♭ G♭ B♭
C°7Diminished seventhC E♭ G♭ B♭♭
C7sus4Dominant seventh suspended fourthC F G B♭

Degree notation

The degrees of the scale are numbered with Roman numerals and carry the seventh chord that belongs to them: IMaj7, II-7, III-7, IVMaj7, V7, VI-7 and VII-7b5. The pattern is the same in every key; only the letters change. The table shows the same series in C and in G.

DegreeDegree notationIn CIn G
IIMaj7CMaj7GMaj7
IIII-7Dm7Am7
IIIIII-7Em7Bm7
IVIVMaj7FMaj7CMaj7
VV7G7D7
VIVI-7Am7Em7
VIIVII-7b5BøF♯ø

Tensions and alterations

Tensions are written with the number of the compound interval: 9, 11 and 13. A flat or sharp in front alters them: b9, #9, #11, b13. So C7(b9) is the dominant on C with the flat ninth (D♭), and CMaj7(#11) is the major chord with the augmented eleventh (F♯).

Frequently asked questions

Which letter is each note?

The natural notes are A, B, C, D, E, F and G. The major scale with no accidentals is C D E F G A B.

What do Maj7, m7 and ø mean?

Maj7 is the major chord with a major seventh, m7 is the minor chord with a minor seventh and ø is half-diminished (minor with a flat fifth). A plain 7 is the dominant.

What is degree notation?

It names the chord by the scale degree in Roman numerals (II-7, V7…), so it works in any key.

Based on the jazz harmony principles of Joe Mulholland and Tom Hojnacki (Berklee Press).

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